"Tom Waits created his own path, not even off the beaten track but somewhere else completely. There's no one as seductive and alluring, manic and intriguing, soothing and chaotic as he."
Mastering a surprisingly broad collection of pre-rock music styles such as jazz, blues, vaudeville and experimental tendencies verging on industrial music, Tom Waits has been described as capturing the history of American song in one voice. Born and raised in Pomona, California, Waits first began singing on the San Diego folk music circuit as a young boy. A poet of outcasts, inspired by artists such as Bob Dylan and the Beat Generation, Waits' sets largely consisted of covers of Dylan and Red Sovine, but in time Waits came to perform his own material, parodied of country songs or bittersweet ballads influenced by his relationships with girlfriends.
The California crooner is an artist with more than one string to his bow, not only known for being one of the most popular singer-songwriters of all time but also a respectable actor, making several cameo appearances in Sofia Coppola films and picking up some powerful roles at the turn of the 21st century in movies such as Domino, The Book of Eli, Seven Psychopaths. Most recently, Waits appeared in the Paul Thomas Anderson Oscar-nominated Licorice Pizza, the film's star Haim's Alana Haim claiming “working with Tom Waits was like being in the presence of a god."
As a life-long fan and a musician herself, Rough Trade East Assistant Manager Locks describes her emotive relationship with Tom Waits' music...
I don't even think we can begin to imagine the worlds Tom Waits has lived in, or indeed is still living in. Each album is a slightly different world; an underworld with pots and pans dangling from the ceiling, unhinged doors slamming, pianos with missing keys, bent trombones and broken glass. He's in there, somewhere, scribbling away at something only he can understand.
It is in this utter chaos accompanied with a constant striving for beauty in the macabre that makes you fall in love with him.
Tom Waits created his own path, not even off the beaten track but somewhere else completely. There's no one as seductive and alluring, manic and intriguing, soothing and chaotic as he. For me as a musician, he opened up possibilities for songwriters, ideas to experiment with, hunches to indulge in and worlds to explore. He opened my eyes to 'what ifs', why nots' and 'let's just hit this door with this hammer and see what happens….'. Tom Waits as an idea, a musician and a lyricist is a force to be reckoned with, he has that glint in his eye that knows just how far down the rabbit hole goes...
In the late 1990s, Waits switched to the record label ANTI-, releasing Blood Money (2002), Alice (2002), Real Gone (2004) Orphans: Brawlers, Bawlers & Bastards (2006), several of which are Grammy-nominated titles. We celebrate the distinctive musical persona of Tom Waits by looking back on a selection of his great works, newly reissued and remastered on special colour vinyl via ANTI-, available exclusively at Rough Trade.
Considered by many to be the best album of his early career Nighthawks At The Diner was the singer-songwriter's third studio album, originally released in 1975. Recorded over four sessions in July in the Los Angeles Record Plant studio in front of a small invited audience Waits set about recreating the atmosphere of a jazz club, with elaborate scene-setting which involved and assembling a full jazz band, poetry recitations with jazz backing (Nighthawk Postcards) and audience noise. Waits acts as a colourful tour guide of midnight L.A., raving over a swinging rhythm section of Jim Hughart (bass) and Bill Goodwin (drums), wailing tenor sax between paragraphs and Mike Melvoin trading off with Waits on piano runs. A real insight into Waits' wonderfully creative character and an audience we wish we could have been in.
The fourth release in Tom Waits' series of Skid Row district travelogues, first released in 1976. Small Change proves to be the archetypal album of his '70s work. Jazz poetry recitations, piano on songs steeped in whiskey and atmosphere in which he alternately sings in his broken-beaned drunk's voice (now deeper and overtly influenced by Louis Armstrong). A strong characterisation of the dark world of bars and all-night diners in songs like The Piano Has Been Drinking and Bad Liver and a Broken Heart. Small Change marked the point where Waits came into his own as an artist, singular and defined who will take the listener through both humour and noir with songs that are full of character.
Having attracted a steady cult audience for his boozy philosopher persona, Waits' 1077 album Foreign Affairs was a continuation of what Tom Waits knew best. A more gravelly voice than ever, structured, bluesy ballads, jazz raps, and his take on his Beat predecessors Jack Kerouac and Neal Cassidy on Jack and Neal. Presenting some of his most ambitious storytelling, Waits took his music in a more cinematic direction, with the instrumental opener Cinny’s Waltz and a dramatic duet with Bette Midler on the singles-bar dialogue I Never Talk to Strangers.
Born out of a career retrospective 3xCD box set, Orphans: Brawlers, Bawlers & Bastards released in 2006, Bawlers is one of three albums which Waits compartmentalised into three style-segregated discs each with a differing tone. These CDs have since received their own individual vinyl pressing on ANTI- and are a wonderful collection of outtakes, leftovers, and rarities. Bawlers is a nod to Waits' early career, the archetypal piano man with a collection of Celtic and country ballads, waltzes, lullabies, piano and classic lyrical Waits’ songs.
The vinyl edition of CD three from the Orphans: Brawlers, Bawlers & Bastards collection. Bastards was a collection of experimental music and strange tales, revealing Waits at his most theatrical. Filled with weird spoken-word monologues, gypsy-opera arrangements, acapella experiments, and demented covers, this selection draws from the zaniest moments of his repertoire.
17 performances hand-picked by Waits from his sold-out 2008 international tour. The collection features a haunting Trampled Rose from Real Gone and a hypnotic Get Behind the Mule from Mule Variations. Waits also digs into the vaults for tracks like a reimagined Singapore from 1985’s Rain Dogs. The second disc, Tom Tales, features a selection of comic bromides, strange musings, and unusual facts that Tom traditionally shares with audiences. If you're taking this record home, you get to be part of the show too.